This personal project is a visual and sonic reinterpretation of contemporary choreography, particularly inspired by the work of Pina Bausch and Sylvie Guillem. What fascinates me is the expressive language of the body in motion and how it can be translated into abstract, generative forms.
Using JavaScript, I developed a custom system to detect the brightest pixels in dance footage and connect them with fine, semi-transparent lines. These lines form an ever-evolving network, an intricate thread-like texture that seems to weave the body itself, as if motion were stitching space. The result is both fragile and dynamic, evoking the idea of the human form as a vessel in constant transformation.
I also composed the sound design for the piece, aiming for a dialogue between the visual rhythm and its acoustic counterpart. The work was showcased at the Proceso de Error festival in both Barcelona and Chile, and later I was invited to speak about the project at the University of Chile, where I explored the intersections between motion design, open-source technologies, and artificial intelligence.
This piece reflects my ongoing interest in hybrid creative processes where movement, code, and emotion meet.